The Internet and Art
September 30th, 2009 | Published in Blog | 2 Comments
In a blog post past, I talked about the importance of personal interaction in the equation of art.
I had an interesting chat with Arthur Edwards and Evan McIntyre the other day. I was looking at some of Arthur’s pieces from his Adornment Exhibition at the Exchange. The art was on his computer and we were commenting on how you really can’t get the feel of the painting unless you see it hanging in front of you…pictures on a screen or in a book just aren’t able to do justice to the art. And there’s something about experiencing art with other people, turning to someone else and asking, “What do you think?” or “I love it” or even “I don’t get it”. Then we moved into the whole ‘is the internet ruining art’ conversation. As idea vehicles go, the internet is the most effective way to communicate with the largest number of people that has ever been invented. I worry that this can lead to art that is ‘dumbed down’ for the masses. Not a new problem, but magnified by the sheer numbers. And again, I think removing proximity from art robs the viewer of an important part of the experience.
In the end, I obviously think the internet is an invaluable tool for artists and culture, as long as it remains one of many tools at the artists command. If virtual galleries totally replace actual galleries, then something valuable will be lost.
Interestingly enough (to me), I happened on this vid from bigthink.com: Is the internet ruining design?
Speaking of cool experiences, don’t forget to come to the Drew Holcomb/Michael Claytor + Huge Light Writing Event on October 24. Are you on Facebook? Then let us know you are coming and invite your friends HERE.
September 30th, 2009at 12:20 pm(#)
reminds me of the “Acquaintance Principle” which essentially says that knowledge of a piece of art must be passed via first-hand experience of the object and cannot be effectively transmitted from person to person. This implies that there is some kind of aesthetic knowledge that is transmitted to a person when he/she observes a piece of art, and that the knowledge cannot be acquired either from an accurate description of the non-aesthetic features of the object or from a testimony of its aesthetic character.
September 30th, 2009at 1:54 pm(#)
Heard of it and should go back and study it before I comment too much, but on the face of your description, yes I would say that’s what I’m getting at. With the key being “effective communicated”, in other words, you can get something of the flavor, but not the whole enchilada. Just like you can know all about Johnny Depp, be a member of his fan club, have all his movies, and have DVRed all his interviews with Letterman but without having met him, you don’t really know him…